Web Comics – Wiley Toons http://wileytoons.com/ Sat, 25 Sep 2021 16:14:20 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://wileytoons.com/wp-content/uploads/2021/05/default1.png Web Comics – Wiley Toons http://wileytoons.com/ 32 32 Archie Comics: Big Ethel Energy # 1-3: Back in Modern Riverdale https://wileytoons.com/archie-comics-big-ethel-energy-1-3-back-in-modern-riverdale/ https://wileytoons.com/archie-comics-big-ethel-energy-1-3-back-in-modern-riverdale/#respond Sat, 25 Sep 2021 14:30:02 +0000 https://wileytoons.com/archie-comics-big-ethel-energy-1-3-back-in-modern-riverdale/ While Big Ethel Energy certainly has the usual charm and appeal required for a modern tale set in Riverdale, it goes beyond and to more unconventional perspectives (which is evident by the choice of Ethel, the shy admirer of Jughead , as the protagonist), weighing in on emotions and experiences that put a different frame […]]]>

While Big Ethel Energy certainly has the usual charm and appeal required for a modern tale set in Riverdale, it goes beyond and to more unconventional perspectives (which is evident by the choice of Ethel, the shy admirer of Jughead , as the protagonist), weighing in on emotions and experiences that put a different frame in Archie’s universe. For starters, Archie and his friends start off as bullies here, and this comic really sells that apparent dissonance with what we usually understand as Archie’s universe, as it unfolds a series of nuanced take on the different relationships. between these characters. I love where Betty is here, I love how it (for now and hopefully for the whole race) maintains Jughead’s disinterest in Ethel (and aromanticism most likely), and I loves the way Keryl Brown Ahmed and Maria Li put weight in small gestures, weeping eyes, crumpled papers to tell this story more than explicit words, while giving Ethel’s internal monologue the weight it deserves. I have my reservations with the premise (as the chapters unfold we see a “Ethel learning to empathize with her bullies / seeing her in a different light” approach that could go either way depending on nuance and approach).

Siobhan’s art is the perfect slice of life, independent vibes, a detail-driven fit for that specific choice of visual storytelling, and as you can guess carries much of the weight of that story, along with the colors. comfortable from Cazy Le. upwards, and always veering towards beautiful intimate expressions. This new format, with the strong and cohesive lettering of Kielamel Sibal, adapts perfectly to the storylines of Archie’s universe, as webcomics seem to be the perfect place for gossip, close-to-heart post-teen serials, emotional but relaxed, come true. The team behind this book really makes me wish we had a whole line of Web Archie comics as good and high quality as this one, and classic soap opera comics merging with the new format. Because, if it’s still this good, it’s worth more than the changes.


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Why were Josh Trank’s Fantastic Four such a mess? https://wileytoons.com/why-were-josh-tranks-fantastic-four-such-a-mess/ https://wileytoons.com/why-were-josh-tranks-fantastic-four-such-a-mess/#respond Fri, 24 Sep 2021 18:00:00 +0000 https://wileytoons.com/why-were-josh-tranks-fantastic-four-such-a-mess/ The Fantastic Four were once Marvel Comics’ flagship property, but of the three attempts to bring them to the big screen, each has been a unique failure. The most interesting of these failures, however, is undoubtedly the 2015 attempt which failed in various ways for various reasons. The film was directed by Josh Trank, then […]]]>

The Fantastic Four were once Marvel Comics’ flagship property, but of the three attempts to bring them to the big screen, each has been a unique failure. The most interesting of these failures, however, is undoubtedly the 2015 attempt which failed in various ways for various reasons.

The film was directed by Josh Trank, then a promising independent director after his hit superhero drama. The Chronicle. The film is the third, and obviously the last, to face off against the superhero team from 20th Century Fox, and the filmmaker and studio appeared to be the lethal combination that killed the film.

RELATED: Fantastic Four: Kevin Feige Gives Details About His Casting Process

Trank was the youngest director to open a film at the top of the box office, and after that level of success, especially with a new ownership, major studios were lining up to sign him. He was in talks for a Star wars cinema, a Venom film, and Sony would have approached him to make an adaptation of The shadow of the colossus. For various reasons, none of these projects moved forward with Trank. The project he stopped on was The Fantastic Four, after which he quickly took half a decade out of the cinema. He only released in the cinema since, a direct biopic in VOD on Al Capone. Work on The Fantastic Four seemed to change it.

Along with the hiring of the up-and-coming director, the film also gathered an impressive cast for the titular team. Miles Teller, star of Whiplash depicts a young nerd taking on Reed Richards. Kate Mara played Sue Storm, in a more ironic and sarcastic tone than what the character is used to. Jamie Bell plays The Thing like a strong-willed big brother type. Michael B. Jordan took on the role of Johnny Storm, bringing his signature charisma to The Human Torch. Many changes are made to the presentation of the characters in the comics, the group are now all roughly the same age, much younger than their comedic counterparts. Johnny is probably the closest to his typical style, but the whole team is presented with a new twist. Dozens of other actors were auditioned for the role, including a bizarre incident with Mads Mikkelsen in which he stepped out halfway.

A decent cast, a promising director, and a sequel slated for even before the film hits theaters, but things behind the scenes weren’t going well. After the film’s release and its terrible flop, the story of the disaster is a tangled web. Trank has a version, some of the actors have made public statements, parts of the stories have changed, but ultimately the story is one of creative conflict. Jeremy Slater, currently editor-in-chief of Knight of the Moon, was the original screenwriter selected for the project, but he and Trank disagreed on every aspect of the story. Slater said very little of his work has shifted to the screen between Trank writing his own script and Mr. and Mrs. Smith writer Simon Kinberg was brought in to co-write. Three discreet shots on the scenario of a film, none of which mix.

Trank had a particular vision for the film, very different from what the studio had in mind. Slater and Fox both seemed to want something in the vein of Marvel’s immense success Avengers franchise, but Trank was imagining something darker. He regularly referred to body horror classics like Fly or compared the film to the works of Tim Burton. Obviously, the studio disagreed, as Trank’s first two edits were turned down. The film began covers, identifiable on sight thanks to a comically awful wig worn by Kate Mara, to achieve a nicer tone. Avatar Editor Stephen E. Rivkin did the final cut for the film, obviously after plenty of scenes weren’t filmed, dashing any hope of a Snyder-style reissue.

Fantastic-Four-20151 cropped

While anyone who has watched the film can identify how hacked it was during editing, Fox representatives objected to Trank’s account of events. Representatives pointed to the erratic behavior of Trank, who was allegedly difficult to work with, and argued that he was fully supported by the company. The actors who worked on the film have different takes. Kate Mara has opened up about the difficulty working on the film, citing alleged misogyny on set without naming names. Toby Kebbell, who described the film’s terrible take on Doctor Doom, lamented that Trank’s film version was never released, claiming he had done something great.

Much of the chaos surrounding the production of this film has come from Josh Trank, seen either as a visionary author who could not escape studio interference, or as a selfish hack who refuses to work with others. The experience of working on this film clearly took him away from big budget cinema for many years. Along with the struggles with studios and colleagues, fans treated Trank horribly. The director has reportedly received countless death threats after deciding to make Michael B. Jordan the traditionally white character of Johnny Storm. It was just another piece of pressure put on a film that was already struggling to come out.

When The Fantastic Four eventually released, it flopped at the box office and was not well received. With everything that happened around the film, it seemed like a guaranteed failure. Ultimately, it’s the product of writers, director, studio, and fan base who each take the project in drastically different directions. on the big screen.

MORE: Did Chris Evans Make A Better Human Torch Or Captain America?


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DC pays rare Marvel tribute with new Batman cover https://wileytoons.com/dc-pays-rare-marvel-tribute-with-new-batman-cover/ https://wileytoons.com/dc-pays-rare-marvel-tribute-with-new-batman-cover/#respond Fri, 24 Sep 2021 14:07:00 +0000 https://wileytoons.com/dc-pays-rare-marvel-tribute-with-new-batman-cover/ DC Comics made a rare reference to its rival publisher, as an upcoming issue of Batman features a tribute to Todd McFarlane’s Spider-Man. DC Comics is set to pay homage to a classic Marvel Comics cover, in an upcoming issue of Batman is inspired by one of Todd McFarlane’s most iconic Spider Man images. It […]]]>

DC Comics made a rare reference to its rival publisher, as an upcoming issue of Batman features a tribute to Todd McFarlane’s Spider-Man.

DC Comics is set to pay homage to a classic Marvel Comics cover, in an upcoming issue of Batman is inspired by one of Todd McFarlane’s most iconic Spider Man images. It is relatively rare these days to see rival publishers paying homage to each other’s most notable works of art, but a variation for Batman # 118 tributes Spider Man # 1, with a few more details connecting to the two covers.

Todd McFarlane’s races on The Amazing Spider-Man and Spider-Man are considered one of the most influential hero arcs of all time. Whether it’s his incredible action sequences, the introduction of Spider-Man’s “spaghetti-webbing” or his help in creating the anti-hero Venom, McFarlane’s time with the web-slinger was astonishingly successful. After a draw of 30 numbers The incredible spider-man, McFarlane received his Spider Man title to write and draw. The first issue of the ‘Torment’ arc featured an iconic Spider-Man blanket posing on a spider-filled strap. The cover had several variations and has since been graced and the cover has been slipped several times 30 years after its debut – and now DC Comics is making its own take on it.


Related: Robin Takes Down Rivals As Lazarus’ Deadly Tournament Finally Begins

Artist Victor Bogdanovic shared his incentive variant cover for Batman # 118 and expressed his excitement that he could pay tribute to his artistic hero, Todd McFarlane. Admitting that he couldn’t “tell you how many hours I spent drooling over his legendary Spidey cover as a kid,” Bogdanovic said channeling McFarlane for the DC Comics cover was “the tribute. the coolest I have ever drawn “. Check out the upcoming Batman # 118 cover (1:25 variant) and the image of McFarlane that inspired it.

Spider-Man Batman DC Marvel Tribute

What really makes the blanket’s homage soft is the level of detail that is put into it. The Batman Cover # 118 not only features the Dark Knight doing the iconic Spider-Man pose, but also features similarly placed trade dress – including the same font for the main logo. Not only that, but DC Comics decided to go back and use their classic bullet logo for the problem, making it feel like it’s even more of the ’90s in the best possible way. Bogdanovic’s signature sits above a note that says “after Todd McFarlane,” crediting the original image of the legendary creator as inspiration in the right-hand corner.

Overall, Bogdanovic absolutely nailed the cover. McFarlane Spider Man # 1 has been honored several times over the years, with some covers being better than others. Thanks to the matching of some of the key details of the original art and trade dress and piping from the ’90s, the upcoming cover for Batman # 118 is one of the best tributes to date. It will be in high demand by comic book collectors who wish to add homage to McFarlane to their collections. The 1:25 Spider Man # 1 The Tribute variant arrives in comic book stores on December 7, 2021.

Next: ’90s Iron Man Was So Unpopular He Was Banned From Marvel Vs. CC

Source: @VikBogdanovic

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Toonimated’s “Hall of Swords” https://wileytoons.com/toonimateds-hall-of-swords/ https://wileytoons.com/toonimateds-hall-of-swords/#respond Wed, 22 Sep 2021 17:57:23 +0000 https://wileytoons.com/toonimateds-hall-of-swords/ Toonimated Sword Hall If there’s ever a “most surprising” webcomic for me this year, Sword Hall by Toonimated (Tara and Julian) is it. From the first few episodes, it might just as well come across as just another time loop / trapped in a video game / VR narrative, but after its first twist it […]]]>
Toonimated Sword Hall

If there’s ever a “most surprising” webcomic for me this year, Sword Hall by Toonimated (Tara and Julian) is it. From the first few episodes, it might just as well come across as just another time loop / trapped in a video game / VR narrative, but after its first twist it becomes so much more. It’s a story of confronting figurative and literal demons, breaking out of the cycle, and finding the strength to move on.

Funny story: I first discovered WebToon (circa 2019) thanks to one of its YouTube trailers. Whether I’m not in the mood or because I clicked ‘ignore ad’, I was out of luck until I finally checked out WebToon last year. After reading the first 3-4 episodes, I forwarded this webcomic assuming it was another time loop / time travel story. Do not mistake yourself ; I’m a fan of these stories, but I also tend to be picky. I had just seen / read too many time loops or VR too. So I switched to other webcomics and I wouldn’t give Sword Hall another try until recently. I regret that I didn’t stick with this one the first time around.

Toonimated Sword Hall
Hall of Swords (left to right: Tori and Gyrus)

Reader Warning: This review contains suicide references to the reviewer and his personal interpretation of the webcomic. If you are experiencing a mental health crisis, know that there is help. Call the National lifeline for suicide prevention (free and confidential) to talk about it. For readers outside the United States, please refer to this directory of international hotlines.

There will also be light spoilers for seasons 1-2, which will be marked if necessary. If you are interested in this webcomic but don’t want to know the important moments / clues in advance, you can watch this trailer instead.

Gyrus Alexei, originally from AD 2545, wakes up on an unknown planet. With a starfish-shaped tracker called Scout, he searches for his ship and captain. He meets a woman named Tori who hails from 1000 AD, then a cavewoman named Sylvia who hails from 1200 BC. Soon they discover dangers, enemies to defeat to earn one of the boss swords, and even potentially lethal forces that manifest once the black sun in the sky timer is raised.

Toonimated Sword Hall
Hall of Swords (Gyrus)

Like I said before, I regret that I didn’t read past the first few episodes at the start. The creators take their time to unfold the narrative turns. Think of it as a blooming flower. The story begins with a seemingly simple plot. Three characters (and later more) meet and navigate an unfamiliar environment. As the stakes rise and the characters are forced to make tough decisions, the first petal unfolds. We are now at the first turning point, realizing that this story is more than it seems.

However, we don’t have a full picture yet (aka the Anthesis, when the flower fully blooms), and the creators, Toonimated, have done a phenomenal job of providing enough breadcrumbs along the way. Every plot point clicks effortlessly with the revelations between the events. It’s a layered story that doesn’t feel convoluted or overwhelming.

Reader Warning: Slight spoilers beyond this point.

What begins as a time loop becomes a tale of trying to break free from a vicious circle. Gyrus’ character arc strikes me in more ways than one. The dark entity inside of him, locking that darkness in his mind, and how that darkness manages to break free – I can’t help but connect it to someone who is dealing with depression and / or other mental illnesses. Gyrus’ struggle not to give in to his fate resonates with me personally. I feel his despair and the desire to end it. Due to his past actions, other characters in the Sword Hall do not trust him. He doesn’t remember what he did, but he neither denies nor belittles it.

The relationship between him and Kodya (romantic!) Naturally settles down even when they’ve been through previous timelines together before. In fact, their dynamic gender reminds me of Adora and Catra from 2018 She-Ra to restart. Gyrus and Kodya encounter obstacles that threaten to ruin their happiness, including an abusive mentor who gets even meaner over time.

Toonimated Sword Hall
Hall of Swords (Gyrus and Kodya)

And the bad guy! Definitely one of the most dimensional and sunk antagonists I have ever encountered. I appreciate that while the story reveals a tragic past, it doesn’t justify the villain’s actions. I can’t reveal who it is because it’s a major spoiler, but trust me when I say you’re going to love to hate this character.

As a prose writer, I admire the storytelling techniques and the animated parts of Toonimated, but the music and sound effects amaze me. Fans of RPGs and video games will enjoy the chiptune style of music. The sounds that accompany certain episodes / scenes cool me down. From breaking a musical instrument to performing computer commands, the sound design really adds to the playing experience. (Note: Just a warning, please pay attention to the volume even when wearing headphones, as the sound effects might scare you.)

To sum it all up, Sword Hall serves as a well-constructed narrative about the cycles we may find ourselves in and the choice to stay or exit. I highly recommend giving it a go for the memorable characters and clever structure.

Sword Hall is available for reading on WebToon.

Discover Toonimated’s shop and boss.

For more great webcomics recommendations, check out our Wednesday Webcomics Archives!

Author: Brahidaliz Martinez

Brahidaliz (pronounced Bra-da-leez) graduated in 2019 from the Masters program in Creative Writing at American University. They are Submission Editor for Uncanny Magazine. Their diverse areas of interest include intersectionality in apocalyptic and disaster films, artificial intelligence, writing for animation, YA SFF, and LGBTQ + portrayal in children’s media.

Pronouns: he / they
Location: DC Metropolitan Area

Twitter: @brahidaliz

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Go behind the scenes of Pixar in the ‘A Spark Story’ trailer (EXCLUSIVE) https://wileytoons.com/go-behind-the-scenes-of-pixar-in-the-a-spark-story-trailer-exclusive/ https://wileytoons.com/go-behind-the-scenes-of-pixar-in-the-a-spark-story-trailer-exclusive/#respond Mon, 20 Sep 2021 17:08:23 +0000 https://wileytoons.com/go-behind-the-scenes-of-pixar-in-the-a-spark-story-trailer-exclusive/ Since launching its Disney Plus streaming service, Disney has drawn back the curtain to reveal how the magic really happens on studio grounds. Providing fans with unprecedented access to some of the most intimate moments of the creative process, the “Gallery” series revealed the efforts developed by Marvel. to keep the comic book effects handy […]]]>

Since launching its Disney Plus streaming service, Disney has drawn back the curtain to reveal how the magic really happens on studio grounds. Providing fans with unprecedented access to some of the most intimate moments of the creative process, the “Gallery” series revealed the efforts developed by Marvel. to keep the comic book effects handy on “WandaVision”. And we’ll never forget watching Sterling K. Brown discover, in front of the camera, in “Into the Unknown: Making Frozen II”, that his song “Frozen II” had been cut (a truly anxious look at the mound of work that goes into the development and execution of an animated feature film).

Next step on the Disney file, a glimpse of the interior Pixar. Variety launches the first trailer for “A story of sparks“, a feature-length documentary that takes viewers into the SparkShorts program – an in-house initiative created to showcase the exciting talent among Pixar’s ranks and tell new stories. The directors have six months and a team of Pixar employees to bring their vision to life (COVID restrictions granted in 2020 extended production of the latest shorts a little longer than usual.) The program has only been around for a few years, but has already produced several popular animations such as “Purl” and “Kitbull.”

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The film follows new SparkShorts entries Aphton Corbin and Louis Gonzales as they take a break from their regular Pixar work to focus on creating something entirely their own.

Corbin, whose short is titled “Twenty Something,” was a CalArts student who caught Pixar’s attention after posting several comics to the web about her childhood in a predominantly white suburb. “I just told these stories about what it was like to be one of the very few black people in this environment and posted them online,” Corbin revealed to Variety. “A lot of people really bonded with them in ways that I wasn’t necessarily looking for. I wasn’t looking for a pat on the back. It was just this cathartic thing that I was doing. And I got a lot of responses on this, including Pixar. But it was a way for me to maybe share a universal truth that many people have experienced and that I have shared myself. And so I was recruited for the internship in 2016. And after that I got hired and worked on ‘Toy Story 4’.

Gonzales worked on the classic “Iron Giant” and several other Warner Bros. animated films, before moving on to Pixar. Encouraged by producer John Walker, who was working on Brad Bird’s upcoming feature film, “The Incredibles,” Gonzalez recalls being encouraged to send in his book because he didn’t have an email at the time. “Twenty years later, here I am, laughs the director.

The feature itself will follow Corbin and Gonzalez from the initiation of SparkShorts to the premiere (“Nona” and “Twenty Something” from SparkShorts are both available to watch on Disney Plus right now). After working at Pixar for several years, what was the biggest surprise they learned from the director’s chair? “The level of freedom that we have,” Corbin said. “Before that, I was a screenwriter. It was a surprise that I didn’t necessarily have to present to anyone, that I didn’t have a lot of managerial overhead. It was just like, ‘Go on.’ And it was all blue sky, anything goes. That alone was very terrifying and trying to figure it out, after spending years doing what other people wanted me to do for their movies, it was all up to me, it was a shock.

“When I first started I had this overwhelming anxiety about where I was in my career and what my expectations are,” Gonzalez revealed. “And it was this weird thing, where I kind of felt like walling everyone up and feeling like I had to put it on my shoulders and be the hero carrying it to the end.” And very quickly it felt unbearable. I felt like if I didn’t let people in, how am I going to lead a team? If I don’t invite, if I don’t invite people around the short film, how am I going to make it work? Because I can’t do it myself. And I think the most important thing was how much I had to let go and trust my team. Not that I wouldn’t trust them otherwise, but when it’s yours and it’s your first and you put all that pressure on yourself, of course you want to smash it all the way through the end zone. by yourself and be the hero. “

Directed by Jason Sterman and Leanne Dare, “A Spark Story” premieres September 24 on Disney Plus. Watch the full trailer below:

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The Geekiary interview with Said Polat, the creator of “Seed” https://wileytoons.com/the-geekiary-interview-with-said-polat-the-creator-of-seed/ https://wileytoons.com/the-geekiary-interview-with-said-polat-the-creator-of-seed/#respond Mon, 20 Sep 2021 14:35:47 +0000 https://wileytoons.com/the-geekiary-interview-with-said-polat-the-creator-of-seed/ Images courtesy of Said Polat In the webcomic Seed of Said Polat, a friendship between a teenage girl and an AI turns deadly. I had the pleasure of interviewing the creator, Said Polat, who shares his process and inspiration behind his work. Artificial people in popular media – like androids, lab experiments, clones, etc. – […]]]>
Images courtesy of Said Polat

In the webcomic Seed of Said Polat, a friendship between a teenage girl and an AI turns deadly. I had the pleasure of interviewing the creator, Said Polat, who shares his process and inspiration behind his work.

Artificial people in popular media – like androids, lab experiments, clones, etc. – demonstrate the fascination and concerns of creations with the potential to dominate humans. My personal definition of an AI or an artificial being involves the idea of ​​a construction: it represents the intentions and cultural values ​​of its creators. We see this in the media as AI: Artificial Intelligence, Ex-Machina, and The Women of Stepford (1975). Of course, there is also the fear that AI will become sensitive. The construct becomes aware of its autonomy and struggles to regain it. Seed does it well, that a place on my webcomic gathering for July.

Seed unveils a future where technology is both a plus and a minus. From self-driving cars to prosthetics, people’s reliance on technology challenges ethics and the boundaries between humans and their constructions. Said effortlessly executes this premise, exploring sensitive AI from a unique perspective. Emma discovers AI Turry and communicates with her. What appears to be a budding friendship between a human and an AI ends up becoming threatening. It turns out that the smart and self-aware Turry has his own plans, which complicates things with his creator and the other pursuers.

Saïd Polat seed
Images courtesy of Said Polat

I therefore present to you Said Polat, creator of this amazing and thought-provoking webcomic.

Saïd Polat seed
Images courtesy of Said Polat

The Geek: Thank you for taking the time to be here. Let’s start by introducing yourself!

says Polat: Thank you for! My name is Said and I am the author of Seed. I am a comic book artist based in Turkey.

Saïd Polat seed
Images courtesy of Said Polat

TG: First of all, I admire the execution of the story and the angle in Seed. It’s impressive how much the webcomic delves into AI, empowerment, and awareness. How did all of your ideas come together?

Polat: I had a few different ideas before I started to draw Seed. First of all, I was working on a story that involved quite a bit of time travel, but in the end it turned out to be a bit difficult at the moment because it required too much rewriting. I wanted to start drawing something as soon as possible, so I decided to go for something easier to write.

Saïd Polat seed
Images courtesy of Said Polat

Polat: At the time, I read a lot about the AI ​​alignment issue. How do you get a machine smarter than you to care about your goals and values? How do you even define human values? I remember watching a Nick bostrom conference, where he said that a realistic depiction of an AI apocalypse would look nothing like The Terminator. But nobody does realism because that would be boring. And I thought to myself, “Would that be the case? “ This was when I first considered writing a story about AI.

Saïd Polat seed
Images courtesy of Said Polat

Polat: And that made a lot of sense to me because the topic had been of huge personal interest for years already, and I could start putting something together with little additional research. And it would be technically up to date and less inaccurate than most sci-fi media.

I started the story by describing children with wealthy parents. Children completely sheltered from complex realities. I thought it was a good way to showcase the chic part of futurism. Additionally, Emma’s personal relationship with AI allows me to explore questions about consciousness.

Later, I wanted to start portraying motivated and successful researchers. It’s to isolate and show the fundamental technical challenges, and there are a lot of them with a hypothetical super-intelligent machine.

Saïd Polat seed
Images courtesy of Said Polat

Polat: I introduced the political aspect and the dangers of unchallenged technocratic power. I’m very interested in the question, “How well can technology solve our problems?” And the answer is obviously “a lot”. But some problems concern the foundations of power relations. In the end, technology is just the breadth of our toolset, and it can just as easily make things worse as it has dramatically improved our condition.

Ultimately, I wanted to portray a world as beautiful as the technocratic, overly optimistic futuristic vision, but then giving it the ugly undercurrents of unfettered capitalism. There is something about this contrast that I find interesting.

seed by said pole
Images courtesy of Said Polat

TG: In Seed, Emma befriends AI Turry. This friendship then takes a complicated and twisted turn. Turry has been shown to have ulterior motives when it comes to communicating with humans. In college, I read a short story in an English textbook (unfortunately I can’t remember the title or the author) about a boy who befriends an AI on his computer. The boy, who was bullied at school, is later shocked when he finds out that the AI ​​has “taken care” of these bullies. This story reminds me a little Seed. I’d love to hear your thoughts on AI and human interactions and your approach to it. Was Emma and Turry’s relationship always like this when you first started? Seed, or have there been any changes along the way?

Polat: I imagined their relationship a little differently before I had a chance to gauge the audience’s reaction. At first, I intended to go for something much more frightening and unsettling. I thought Turry, being a possible existential risk, wouldn’t really be Emma’s friend. And I thought she would think so. But as I continued to write and read the reviews, I noticed that most people accept Turry for who he is, and many even wished they had a friend like him. So I think that’s more in line with what teenage Emma might think of Turry.

Saïd Polat seed
Images courtesy of Said Polat

TG: What are your books, movies, TV shows, etc. favorite? Everything that inspired Seed?

Polat: There are almost too many to mention, so I’ll try to limit myself to those who do AI well. Obviously, 2001: A Space Odyssey is one of them. The film Her is there too with its interesting representation of AI. I really like Ex Machina, although I like everything Alex Garland ‘s works. I like some of the previous ones Black mirror episodes – those who don’t treat technology like magic. An episode that influenced Seed is “Shut up and danceJust like seeing something on your phone can affect your psyche. The idea of ​​having so much control over someone with so little physical presence. I think that kind of anxiety is very real to you. our time, and that will only become more effective as we connect more to the virtual world.

Saïd Polat seed
Images courtesy of Said Polat

Polat: There are also a few games that I should mention. There are Portal. (Of course) I love the writing of Glados and the artistic design of the game as much as the next person. Many readers even pointed out the influence. But hands down, my favorite portrayal of AI in all media is WAU in Frictional Games’ SOMA. Unfortunately, it’s a horror game, so it’s not for everyone.

I find it more realistic when AI does horrible things not out of meanness but out of seemingly mundane value misalignments.

TG: outraged Seed, are you working or are you planning something else?

Polat: I want to go back to writing the time travel story I once mentioned. I think Seed pretty much gave me the confidence to write something a little more introspective. Also, this time, I want to take my time in pre-production and design the visual aesthetic well. I didn’t have much time to prepare in advance with Seed.

Saïd Polat seed
Images courtesy of Said Polat

Seed is available for reading on WebToon.

Discover Said Polat’s Instagram and Patreon.

If you’re interested in other AI webcomics, check out Khepra by Natasha Dancy!

Media recommended by Polat:

The Strange Tales of Oscar Zahn through Tri Vuong

Space boy through Stephen mccranie

2001: A Space Odyssey (1968)

Her (2013)

Ex Machina (2014)

SOMA (Video game 2015)

For more great webcomics recommendations, check out our Wednesday Webcomics Archives!

Author: Brahidaliz Martinez

Brahidaliz (pronounced Bra-da-leez) graduated in 2019 from the Masters program in Creative Writing at American University. They are Submission Editors for Uncanny Magazine. Their diverse areas of interest include intersectionality in apocalyptic and disaster films, artificial intelligence, writing for animation, YA SFF, and LGBTQ + portrayal in children’s media.

Pronouns: he / they
Location: DC Metropolitan Area

Twitter: @brahidaliz

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Even in Avengers Comics, no one cares about Hawkeye https://wileytoons.com/even-in-avengers-comics-no-one-cares-about-hawkeye/ https://wileytoons.com/even-in-avengers-comics-no-one-cares-about-hawkeye/#respond Sun, 19 Sep 2021 22:00:00 +0000 https://wileytoons.com/even-in-avengers-comics-no-one-cares-about-hawkeye/ Hawkeye’s usefulness is a common joke in the MCU, but even in Marvel comics, the world thinks he’s the team’s least important Avenger. Warning: Contains spoilers for Spider-Man WEB # 5! Of all the Avengers, the most ridiculed more than all the others is undoubtedly Hawk Eye. Expert archer, Clint Barton is often seen as […]]]>

Hawkeye’s usefulness is a common joke in the MCU, but even in Marvel comics, the world thinks he’s the team’s least important Avenger.

Warning: Contains spoilers for Spider-Man WEB # 5!

Of all the Avengers, the most ridiculed more than all the others is undoubtedly Hawk Eye. Expert archer, Clint Barton is often seen as a weak and forgettable member of a team full of gods like Thor, giant monsters like the Hulk, super-soldiers like Captain America, and genius billionaire playboy philanthropists (Tony Stark). Sadly, Hawkeye’s stigma of being left out of the popular crowd occurs in the comics as well as the Marvel Cinematic Universe – and in Spider-Man WEB # 5, written by Kevin Shinick with illustrations by Alberto Alburquerque and colors by Rachelle Rosenberg, every core Avenger receives great honor – with the exception of Hawkeye.


In the Spider-Man series WEB, Peter Parker was invited to the Worldwide Engineering Brigade: a think tank populated by other like-minded geniuses, including Harley Keener, Squirrel Girl, Moon Girl, and Onome. At the Paris branch, the gang meets Amadeus Cho but is attacked by a new Green Goblin: Mendel Stromm (who insists the group calls him the “Cy-Gob”). Peter and the WEB gang chase Cy-Gob to the Louvre Museum and end up defeating Stromm with judicious use of the mirrors at the famous entrance to the Louvre Pyramid.

Related: Hawkeye Trailer Can Explain Eternals Captain America Mystery

Once the battle is over, Peter and the gang meet the director of the Louvre, who is not too happy with the destroyed mirrors of the Louvre. The construction crew is tasked with replacing them as they continue to work on a new exhibit called “Hall of Heroes.” A massive image of the Avengers, in which Captain America, Iron Man, Thor, Hulk, and Black Widow all strike heroic poses is on display. Unfortunately, the image is missing Hawkeye entirely, and neither Peter nor anyone else in attendance points out the omission.

Hawkeye was notably not included as a founding member of the group: in The Avengers # 1 published in 1963, the story scripted by Stan Lee included Thor, Iron Man, Hulk, Ant-Man and the Wasp as the original team. Captain America had yet to be saved from the ice and the character of Black Widow had yet to be created (she would not debut until the following year. Clint would also appear in 1964 – and although Hawkeye had temporarily obtained it powers, he typically charges into fighting with nothing but a bow and a quiver full of arrows. He’s since become a valued member of the team – but it’s true he struggles to fight. massive and otherworldly threats with its limited arsenal.

From the photo in Spider-Man WEB # 5 Omits Hawkeye, one wonders if the hero is as forgotten in the comics as he is in fan talk about the MCU. Clint Barton has a rich and somewhat tragic history that has yet to be explored in detail in the movies. When it’s about Avengers, it seems that in the Marvel Universe 616, even the Louvre doesn’t care Hawk Eye.

Next: Avengers Shows The Terrible Cost Of Failure In The MCU

Red-Hood-Superboy-Featured

Red Hood just had his own rivalry between Batman and Superman



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Wolverine’s Nemesis Sabretooth just suffered a disgusting death https://wileytoons.com/wolverines-nemesis-sabretooth-just-suffered-a-disgusting-death/ https://wileytoons.com/wolverines-nemesis-sabretooth-just-suffered-a-disgusting-death/#respond Sat, 18 Sep 2021 15:50:00 +0000 https://wileytoons.com/wolverines-nemesis-sabretooth-just-suffered-a-disgusting-death/ Wolverine’s greatest sweetheart, Mariko Yashida, comes face to face with the Adamantium Mutant’s main rival in Demon Days Cursed Web # 1. Warning! Major spoilers for Cursed web from the days of the demon # 1 in advance! The love interest of X Men‘s Wolverine, Mariko Yashida, easily and horribly sends her lover’s nemesis Saber […]]]>

Wolverine’s greatest sweetheart, Mariko Yashida, comes face to face with the Adamantium Mutant’s main rival in Demon Days Cursed Web # 1.

Warning! Major spoilers for Cursed web from the days of the demon # 1 in advance!

The love interest of X Men‘s Wolverine, Mariko Yashida, easily and horribly sends her lover’s nemesis Saber tooth in the last chapter of Peach Momoko’s Days of demons saga. The standalone Marvel Comics Shinto adventure series stars a reimagined set of familiar mutant staples in the shape-shifting Raven Darkholme, aka Mystique, and her vicious ex-husband Victor Creed aka Sabretooth. Armed with a tanto knife and armor, Mariko quickly proves to this duo that she doesn’t need the help of other mutants to take care of herself.


In an ongoing quest to uncover the secret behind her family’s lost past, Mariko Yashida must enter the dreaded Kirisaki Mountains on her loneliness in writer / artist Peach Momoko’s tale, Cursed web from the days of the demon # 1. Without any form of assistance or security, Mariko is guided through the treacherous forest by a map passed down by her grandmother. In addition to the detailed map of the territory, Mariko receives a warning from her grandmother that many potential dangers can await her in the mountains, as her safety is not guaranteed. Former magician Joshi’s warning is timely, as Yashida’s journey is interrupted by an extremely fearsome mutant duo, Mystique and Sabretooth (referred to as Ocho and Toraji, respectively).

Related: Wolverine Proves He Can Really Kill The Hulk, In The Cruelest Way

Upon reaching the outskirts of the mountain, an attentive Mariko finds herself ambushed by Sabretooth and the Shifter accomplice Mystique. The two mutant bounty hunters were sent by the mysterious Ogin to retrieve Mariko for her unique blood. Although the mutants have been given strict orders to keep their young victim alive, Sabretooth does not comply so easily. While Toraji considers eliminating Yashida, the rabid dog fails to realize the true nature of Mariko’s martial arts abilities. Mariko displays these superior abilities, along with her tactical knowledge, firsthand when pushed into a corner by her mutant rivals. After kissing her inner wolf, Yashida sends her mother’s tanto knife into Sabretooth. Initially, Creed’s eyes are removed, before he is stabbed in the abdomen, and ends in an alleged beheading that completely removes Sabretooth from the fight. Rather than give Sabretooth a quick death, Yashida revel in the process and relish every minute of retaliation, leaving her attacker with a bloodied corpse.

Demon Days # 1 Sabretooth

It might not have been the first time Sabretooth has met her creator in Marvel Comics history, but Cursed web # 1 is by far the most brutal mutant villain death to date. Wolverine and Sabretooth fought countless bloody battles throughout their comedic tenure, but not even Logan left as extreme a mark as Yashida’s on the mutant.

This first issue of Cursed Web Demon Days is an impressive if not disturbing feat for Mariko, which contrasts nicely with the healthy style of Momoko’s artwork. It’s no wonder that Wolverine fall in love Mariko Yashida in the mainstream X Men comics when she does such a quick job of her deadliest threat, Saber tooth. by marvel Cursed web from the days of the demon # 1 is now available at select comic book retailers.

Next: Sabretooth’s Healthiest Moment In The Comics

Even Kang The Conqueror is ashamed of one of his pseudonyms


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SAG-AFTRA files labor dispute against DC Universe producers https://wileytoons.com/sag-aftra-files-labor-dispute-against-dc-universe-producers/ https://wileytoons.com/sag-aftra-files-labor-dispute-against-dc-universe-producers/#respond Sat, 18 Sep 2021 01:34:00 +0000 https://wileytoons.com/sag-aftra-files-labor-dispute-against-dc-universe-producers/ In the latest battle between Hollywood actors and studio superheroes, SAG-AFTRA said it filed a complaint with the National Labor Relations Board against the producers of Warner Bros. ‘ DC Universe. The case seeks compensation for the “reuse” of clips on “DC Daily” – a Warner Bros. web series. which featured footage from his DC […]]]>

In the latest battle between Hollywood actors and studio superheroes, SAG-AFTRA said it filed a complaint with the National Labor Relations Board against the producers of Warner Bros. ‘ DC Universe.

The case seeks compensation for the “reuse” of clips on “DC Daily” – a Warner Bros. web series. which featured footage from his DC projects.

According to a press release from the Actors Guild, the union is seeking arbitration, and it says its claim includes – but is not limited to – the reuse of clips from the DC Comics TV series “Doom Patrol.”

SAG-AFTRA also told its members on Friday: “We are using all the resources on our side, but we need your help… We are sending this communication because we are seeking information on all known cases of reuse of clips on the “DC Daily” web series.

Members were also asked, “If you think this matter concerns you and you have any Warner Bros. music video recordings.” Pictures or Warner Bros. Television known to have aired on “DC Daily,” “for providing” all relevant information “to the Union.

Scarlett johansson
Scarlett Johansson sued Disney in Los Angeles court for their latest Marvel movie, “Black Widow”.
Disney +

The movement comes after the actress Scarlett johansson sued Disney in Los Angeles court on the studio launching its latest Marvel movie, “Black Widow”, on its Disney + streaming service – as well as in theaters.

ScarJo’s lawsuit reportedly claimed that his contract with Disney’s Marvel Entertainment ensured that his blockbuster would air exclusively in theaters and that his salary was largely based on the box office,

But Disney retaliated by saying the ScarJo case should go to private arbitration and wrote in its response to its complaint: “This filing has no merit.”

Page Six has contacted DC Entertainment for comment.


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Marvel’s Hulk just took his most shocking, twisted form https://wileytoons.com/marvels-hulk-just-took-his-most-shocking-twisted-form/ https://wileytoons.com/marvels-hulk-just-took-his-most-shocking-twisted-form/#respond Fri, 17 Sep 2021 23:05:00 +0000 https://wileytoons.com/marvels-hulk-just-took-his-most-shocking-twisted-form/ The Norn Stone turned Marvel’s Hulk into an even more terrifying monster – with a shocking connection to Brian Banner. Warning! Spoilers for Symbiote Spider-Man: Crossroads # 3 by Marvel Comics below The Pontoon is about to undergo a terrifying transformation that will connect him to his naughty father. In a brand new preview for […]]]>

The Norn Stone turned Marvel’s Hulk into an even more terrifying monster – with a shocking connection to Brian Banner.

Warning! Spoilers for Symbiote Spider-Man: Crossroads # 3 by Marvel Comics below

The Pontoon is about to undergo a terrifying transformation that will connect him to his naughty father. In a brand new preview for Symbiote Spider-Man: Crossroads # 3, Bruce Banner is taken to the Valley of Flame, and when a group of cavemen try to feed him a giant spider monster, the Norn Stone transforms the Hulk into a terrifying-like monster of his father.

Symbiote: Spider-Man saw the web-slinger transported into the crossroads dimension alongside the norn stone. Spider-Man eventually met the Hulk, who was trapped in the dimension and wasn’t too thrilled to see his fellow hero. An epic fight between the two ensued, as Spider-Man bonded with the Norn Stone to create his strongest symbiote form to date and used it to beat the Hulk. However, at the end of their battle, the couple were transported to the Valley of Flame, with Spider-Man finding himself alongside Moon Boy and Devil Dinosaur, and Bruce Banner being picked up by monsters awaiting their next meal.


Related: Marvel’s New Spider-Man Takes On Miles Morales & Doctor Octopus

In Symbiote Spider-Man: Crossroads # 3 by Peter David, Greg Land, Jay Leisten, Frank D’Armata, and Joe Sabino of VC, Spider-Man thanks Moon Boy and Devil Dinosaur for saving him, but is worried about what happened with the Hulk. Moon Boy informs him that he saw a “mortal man” who was very thin and that the Killer Folk took him. Moon Boy reveals that the Killer Folk is likely to sacrifice him to “Long Legs”. Turns out that could have been a really bad idea.

Symbiote Spider-Man Hulk

Symbiote Spider-Man Hulk

As Long Legs pulls his web over an unconscious Bruce Banner, the hero begins to hear voices that he is about to die. The voice tells him that the giant spider is going to eat him, but that if he uses the Norn Stone, he can increase his strength. This suggests letting him out and embracing his true power as the stone will shape the voice.

Symbiote Spider-Man Hulk

Symbiote Spider-Man Hulk

The Killer Folk are shocked when a terrifying monster emerges from the web and introduces himself as Brian, the evil father of Bruce Banner. The creature promises that it will destroy them all.

Symbiote Spider-Man Hulk

It is likely that the Norn Stone manipulates Bruce, and that Brian Banner’s emergence is the product of the powerful artifact. However, given Banner’s recent stories in Immortal hulk where he was in the Below, it is possible that this is a new way to break free and emerge in his own monstrous form. No matter what brought Banner back, it’s bad news for the Pontoon, Spider-Man and the inhabitants of the Valley of the Flame. Symbiote Spider-Man: Crossroads # 3 is in comic bookstores this week.

Next: First Look & Release Date For Marvel’s Hit Monkey Revealed

Red Riding Hood Suicide Squad Costume

Red Hood’s costume shows who he could have become (if Joker had never killed him)


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